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Opera

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

Claude Debussy - Pelleas et Melisande Act 5 (Vocal Score) WIP

LeftRight

3:15	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	26	18	9	88%
	39	60	16	7	79%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	26	18	9	88%
	39	60	16	7	79%
Le Médecin	8	0	2	5	21%
Arkel	11	0	4	6	17%
Golaud	14	0	6	4	17%
Mélisande	5	0	2	3	13%

HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco

edward.maurath

0:36	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	10	0	3	3	100%
Harp	12	7	4	3	56%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	10	0	3	3	100%
Harp	12	7	4	3	56%
	7	0	1	3	56%
Harpsichord	12	7	5	1	56%
	5	0	2	2	56%
Soprano as Apollo	5	0	1	4	56%
Soprano as Erato	6	0	1	3	56%

HWV19A1N10 - Bertarido, "Bertarido fù Rè"

edward.maurath

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
	14	3	2	3	53%
Viola	4	0	0	2	42%
Violoncello Continuo	4	0	1	2	42%
Vln 1	5	0	2	2	42%
Vln 2	4	0	1	2	42%

Treemonisha Act 3

mike320

34:28	Est. Play Time
829	Measures
	9,515Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	404	29	12	98%
	45	169	32	10	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	404	29	12	98%
	45	169	32	10	92%
Tenor	5	0	2	5	2%
	22	0	14	8	47%
Soprano	26	0	15	8	41%
	18	0	8	6	29%
Bass	23	3	14	8	39%
	7	0	0	4	2%
Alto	22	0	11	8	33%
	11	0	5	6	6%

Richard Wagner - Ride of the Valkryies. Professional production full score. {Unfinished.}

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Richard Wagner - Siegfried vs Fafner und Forest Murmurs. {Full score.} {Unfinished.}

Jamie Holdham

1:38	Est. Play Time
65	Measures
	1,869Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
Contrabasse Tuben.	26	0	13	6	89%
BRATSCHEN.	24	16	9	5	86%
Bass Trombone	26	0	14	6	84%
Contrabasse Posaunen.	24	0	13	5	84%
Violoncelle.	31	5	14	7	84%
Bassclarinetten.	18	0	7	6	82%
Contrabasse.	22	3	10	8	82%
I. Violinen. II.	27	4	11	6	77%
Violins	27	4	11	6	77%
Bass-Tuba. (in B.)	28	0	12	4	64%
Horner. (in F.)	16	2	5	5	62%
Horn in F	15	2	5	5	62%
Clarinetten. (in Bb.)	15	5	6	7	60%
B♭ Clarinet	27	3	11	7	56%
F Trumpet	12	0	1	6	55%
Tenor-Tuba. (in Es.)	21	1	9	4	54%
(2 Tenor.) 3 Posaunen. (1 Basse.)	15	0	5	8	50%
Tenor Trombone	15	0	4	8	50%
3 Hoboen.	13	6	4	5	47%
2 Trompetten. (in F.)	14	1	2	5	45%
Oboe	16	4	6	5	44%
Englishes Horner.	16	0	6	5	43%
Bass Trompeten. (in D.)	9	0	3	6	32%
Flute	4	2	2	3	21%
Timpani	5	0	2	4	17%
3 Floten.	6	0	2	4	16%
2 Pauken.	3	0	1	4	9%

Wagner - Tristan und Isolde Love Duet. Professional production full score. {Unfinished.}

Jamie Holdham

1:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	0	10	6	71%
Horn in F	10	0	6	6	67%
View all 32 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	10	6	71%
Horn in F	10	6	6	67%
in F.	7	3	6	62%
Fag.	12	6	4	55%
1 Br. (allein)	4	1	5	52%
2 I.VI.	6	2	5	50%
	4	1	5	48%
1. Halfte. Vcl. 2. Halfte.	3	1	3	48%
1 Vcl. (allein)	3	1	3	48%
2 II.VI.	4	1	5	43%
	4	1	5	43%
Viol.I. 2. Halfte.	4	1	5	43%
BaBkl. in B.	8	4	5	43%
in E.	8	3	5	43%
Viol.II. 2. Halfte.	3	1	5	43%
Violas	21	10	5	43%
Violoncellos	3	1	3	43%
in F. Hr. in E.	6	2	5	38%
Hob.	10	4	3	29%
Klar. in B.	8	4	6	29%
Bassoon	8	3	4	29%
I. Pos. II.III.	7	3	3	27%
Hrfe.	14	6	1	24%
	12	7	1	24%
Engl.H.	4	1	4	24%
I. II. K.B. III. IV.	3	1	4	14%
B♭ Clarinet	3	1	2	14%
Contrabasses	2	1	4	14%
Trombone	4	2	3	14%
I. Gr.Fl. II.III.	5	2	3	10%
Oboe	1	1	2	10%
Pk.	1	1	1	5%

Richard Wagner - ENDE.zu.TANNHAUSER in Full score. {Unfinished.}

Jamie Holdham

0:10	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
I. Viol.	1	0	0	1	100%
Br.	1	0	0	1	100%
W.	5	0	1	5	100%
Vcl.	1	0	0	2	60%
T.	2	0	1	2	40%
V.	2	0	1	2	40%
I. II. Fl.	1	0	0	1	20%
Vh. in F.	1	0	1	1	20%
Hob.	2	1	0	1	20%
K.B.	1	0	0	1	20%
kl.Fl.	1	0	0	1	20%
Klar. in B.	2	1	1	1	20%

HWV17a1n29y1725 "Madre!"

edward.maurath

0:56	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	18	8	4	100%
	9	0	2	3	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	18	8	4	100%
	9	0	2	3	100%
Violoncello	9	0	2	3	100%
Sesto	11	0	4	3	93%
Harpsichord	6	2	2	1	14%
	2	0	1	2	14%
Cornelia	4	0	2	1	14%